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WH0 IS ABRAM TABER?

At the tender age of 3, Abram Taber ripped open a cardboard box with a plastic toy screwdriver to get at the ukulele within.  Throughout the next 38 years of his life, Abram has worked towards that same goal: unleashing sounds with whatever tools are available.

Abram has searched for sounds as a solo artist, playing in basements, bedrooms, and bars across the US since 2009. Hailing from Massachusetts and currently living in Philadelphia, Abram visited DIY scenes across the country over four US tours between 2009 and 2016 and shared his sounds with audiences in the Northeast, Mid-Atlantic, South, Midwest, and Southwest.

In March 2023, Abram joined the improvisational psychedelic rock group quiet abandon as bassist and sonic sculptor. Since Abram joined, quiet abandon has performed a live improvised score to The Cabinet of Dr. Caligari, completed a session for CART Music, and released two albums (bouxz and rapid prismatic miasma) and a single, spectra.

At the start of the pandemic, Abram became an inaugural member of the music collective Agitation Trips. Recording a monthly song for charity, Abram made use of everything from upright bass to a RS-09 synthesizer to realize the vision of each month’s song producer. To date, the collective has raised over $600 for charitable causes such as The Okra Project, Planned Parenthood, and True Colors United.

While playing in the bands Sun Hat, Pyotr, A bit Much, School for Robots, Slurred Murrays, and Paraffin Section, Abram composed music, crafted song arrangements, produced recordings, and developed artwork, costumes and stage shows. He has also worked as an on-call bassist for studio and live performances with artists such as Downcity Armory, EXH4LER, Hornography, and The Good Mem’ries Big Band and has performed in pit orchestras for productions of Footloose, Little Shop of Horrors, and All Shook Up.

Improvisation plays a key role in Abram’s sonic explorations and he has stretched his skills of spontaneous creation with appearances at XFest (2009-2014), the Impermanent Society of Philadelphia‘s H-O-T Series and NowHere Festival (2015), Frantasia (2011), and OpenSound.  The 11:11 and Happy Medium Theatre Companies also commissioned Abram to compose music and develop sound design for their productions. 

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reallybadreverb

🎸 Musician & Educator
πŸ“ Philadelphia, PA
πŸŽΆπŸ‘¨β€πŸ« at @gw_childs_elementary
πŸ”Š Bass/sonic sculptor @quietabandon

@quietabandon closes out this comp featuring many @quietabandon closes out this comp featuring many friends and raising funds for @translawcenter.

Quite possibly our strangest release yet and the first to feature not a single stringed instrument.

https://fdtfdt.bandcamp.com/album/we-just-want-to-live
@mertvykh_ made me do it @mertvykh_ made me do it
Back in 2011, A Bit Much recorded a bunch of songs Back in 2011, A Bit Much recorded a bunch of songs at New Alliance Audio with Jonathan Taft behind the board. The majority of them were slated for release in our Holiday Singles series but there were some leftovers that didn't have a spot in that project. 

When we disbanded following the release show for the Boxing Day 2011 single, two songs remained extant. Fast forward to pandemic lockdown times when the intrepid Clinton Degan dusted off the files and spruced them up with new vocal recordings and instrumental tid bits. He got it mastered at New Alliance East: Mixing, Mastering, Production, Song Writing and brought Jeff Bartell on board to provide artwork...and then put everything back on the shelf...UNTIL TODAY!

You can now listen to/own the Holy Grail of unreleased A bit Much recordings (ones that we want to see the light of day, at least πŸ˜‰), "Lee of the Molehill," by heading to http://abitmuch.bandcanp.com
Happy Fourth πŸ’£πŸ”₯ πŸ‡ΊπŸ‡² Happy Fourth πŸ’£πŸ”₯ πŸ‡ΊπŸ‡²
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